Trust This: 3OH!3 Takes Over Brooklyn Bowl Nashville

Thursday, November 13, iconic electro-pop duo Sean Foreman and Nathaniel Motte, better known as the band 3OH!3, took over one of Nashville's favorite venues, Brooklyn Bowl. Their music was the soundtrack to many pop lovers of the mid-to-late 2000s. From Boulder, Colorado, this duo quickly made a name for themselves with songs like DONTTRUSTME and My First Kiss, featuring Nashville's very own Ke$ha. They would go on to collaborate with other big names, such as Katy Perry and Lil Jon, solidifying their pop-crossover appeal. 

Opening for the night was Charlotte Sands, a rising force in the modern alt-pop world, recognized instantly by her electric blue hair and the emotional punch woven through her songwriting. Rather than shying away from vulnerability, she leans into it, crafting songs that speak to self-discovery, uncertainty, confidence, and the messiness that sits between. Throughout the night, her sound moved fluidly between driving pop-rock anthems and stripped-back, acoustic storytelling, giving her the freedom to deliver both high-energy performances and deeply intimate moments.

As her final notes faded and the lights slipped to black, Charlotte Sands exited the stage to a wave of cheers, undoubtedly leaving with more fans than she arrived with. The buzz in the room only grew as the crowd settled in for 3OH!3’s arrival. Stagehands moved with precision, unveiling an oversized inflatable of the duo’s iconic hand-sign logo: three fingers raised on each side, forming the unmistakable “O” in the center. The glowing installation instantly amped up the room’s energy, setting the perfect tone for the chaos to come.

Their set exploded into motion the moment they stepped onstage, igniting the room with a surge of high energy. Long-time fans erupted as 3OH!3 launched straight into early favorites like “PUNKBITCH” and “STARSTRUKK,” instantly transporting the crowd back to a neon-soaked, nostalgia-heavy era. From there, the momentum never dipped. The duo bounced from hit to hit, weaving in their signature humor with tracks like “Touchin’ on My” and “My First Kiss,” each one met with louder cheers and bigger singalongs.


High Voltage From Start to Finish




Throughout the night, their banter and playful crowd engagement kept the room locked in, amplifying a set that was already high-volume and high-tempo. The entire show felt like a fusion of dance-party chaos and punk-show intensity: fast, sweaty, loud, and completely exhilarating.